Essay on the Manipulation of Polonius and Ophelia in Hamlet

The Manipulation of Polonius and Ophelia in Hamlet The main plot of Shakespeares Hamlet centers around Prince Hamlets desire to hark back King Claudius for his evil deeds. Around this central action revolve the stories concerning the minor characters of Polonius and Ophelia. Though they do not motivate Hamlets actions towards the King, these characters act as forces upon Hamlet himself, toilsome to spur him to do things he does not want to do. Both Polonius and Ophelia try, unsuccessfully, to manipulate Hamlet into a place of inferiority. In the first scene of Act II, Polonius and Ophelia controvert the meaning of Hamlets odd behavior. Though the two characters agree his actions arise verboten of the torment of spurned love, they arrive at that point through very diametric means. At the beginning of the dialogue, Ophelia says that she has been affrighted by Hamlet in her bed chamber. (II,i 75) Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,loosed out of hell/To speak of horrors. (II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating. By not language anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his hint that he might be doing this out of frustrated love, Ophelia says that that is what she real does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet. To further strengthen this situation, Polonius... ...f the situation in the first place he enters it, while Polonius and Ophelia must try to understand events as, or after they happen. Works Cited Bradley, A.C. Shakespeares Tragic Period--Hamlet. Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, and Macbeth. Toronto MacMillan, 1967. 79-174. Campbell, Lily B. Collected cover Of Lily Campbell. NY Russell, 1968. Lidz, Theodore. Hamlets Enemy Madness and Myth in Hamlet. Vision Press, 1975. MacKenzie, Agnes Mure. The Women in Shakespeares Plays. London William Heinemann Ltd., 1924. Northrop, Frye. Hamlet. Northrop Frye on Shakespeare. Ed. Robert Sandler. New Haven Yale University Press, 1986. 82-100. Oakes, Elizabeth. Polonius, the Man behind the Arras A Jungian Study. New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. NY AMS Press, 1994. 103-112.

Our Food Has Feelings Too :: social issues

Our Food Has Feelings TooA piece of middle, a glass of milk, or even an egg cogency seem pretty harmless. Everyone knows where they come from but most choose not to think about it. The truth is that the piece of meat sitting on your home at dinner came from an animal that was tormented and put through enormous stress and pain to get from the farm to the dinner table. Farms that breed and raise animals for meat and other such things arent at all what we picture. Green meadows where the animals graze in peace for the few short years of their digests have been replaced by sweet-smelling produce factories. Animals not being treated with any respect or humanity, instead seen only as profitable meat products. Cows sheep and pigs dont just suffer at the slaughterhouse but throughout their lives. Feedlots, the place they are sent to fatten up before being killed are sound of harmful bacteria and are extremely crowded. What the animals are fed is also very harmful. Steroids and unnatura lly rich diets are used to fatten them quickly, thereby maximizing profitability. Metabolic disorders are the result of this. In modern dairies, cows also forced to endure calfing every year, whilst producing milk for seven months of their nine-month gestation period. Cows live up to twenty-five years in a healthy environment, but in these dairies only live three or four years. Like plain cows they are fed unnaturally rich diets to make them produce more milk. Milk production bear be as much as ten times more than that of a natural grazed animal. But if you thought that only grown cows suffer, that these farmers at least take like of the babies, you were wrong. Veal is a very profitable meat, the calf usually only living to sixteen weeks in a small wooden crate where it cant move properly or even lie down comfortably. Some are killed just after a few days, then exchange as low grade frozen TV dinners. Chickens and other poultry also suffer in small cage ins (usually two hens in a cage sixteen inches wide). After having their beaks cut off to reduce pecking their feathers usually fall out, from the constant rubbing against the wire cage. Eventually with bruises and sores covering their bodies, the hens die from fatty liver syndrome, lack of calcium, heat prostration, infectious disease and cancer.

What Astronomy Really Is :: Astronomy Solar Systems Roman Gods Essays

What Astronomy Re altogethery Is What is astronomy? Astronomy consist of a lot of things that make up our solar system such as the gild planets, asteroids, meteorites, the moon and the sun. Astronomy is also a fascinating hobby that can be followed by anyone. You do not need to be, as some spate seem to imagine, mathematically-minded , in order to start, or hitherto to become a very experienced observer. Yet astronomy is one of the few hobbies where not tho can you gain great enjoyment, precisely if you feel want to can very easily make observations of great scientific value. I know that astronomy is getting more popular by the day since the comet came and all those people got killed. But that really did not have anything to do with astronomy, so I am not going to get into that. To me astronomy is really cool. If you have a telescope and it is a clear night you can see different constellations such as Andromeda, Cassiopeia, Hercules, Pegasus, Perseus there are many more that is so cool. But it is even cooler to look up and see them in the sky. To do all of that you first have to be in the correct place. What you can do first is look for the north star, when you picture that then you are all set. If you cannot find it just simply face north and look for the brightest star in that direction. If you still cannot find it buy a compass then hopefully you allow for find it. If you still cannot find it ask somebody, I made no grantee that you would find it these ways. That is really all I know about astronomy, but after this paper I bet you I will know a whole lot more. THE SUN The Sun is a huge, bright domain of a function that is mostly made up of gas that is about 5 billion years old. The Sun is the closest to the Earth, it is 145 million km distant (this space is called an Astronomical Unit). The next closest star is 300,000 times further away. There are probably millions of similar stars in the Milky Way galaxy (and even m ore galaxies in the Universe), but the Sun is the most important to us because it supports life on Earth.

Macbeth: Appearance vs Reality :: Macbeth essays

Macbeth Appearance vs Reality           The way people act on the outside and who they really are on the insidemay be two totally different things.  Some may change because they feel theydont fit in. Others pretend to be something they truly arent.  No matter whichway you look at it, if you try to act like someone your not, the truth willalways appear in the end.  That is exactly what happened in WilliamShakespeares play, MacBeth.  Banquo, MacBeth, and Lady MacBeth each project animage, but as time passes. The realities of their accepted personalities begin toemerge.         As an honorable man, Banqou tends to hold back his true feelings in locate not to offend others around him.  At one point in the play, Banqou andMacBeth find themselves in the presence of three weird sisters who make three mirthful predictions.  MacBeth leans toward believing them while Banqou says, Andoftentimes, to win us to do our harm, the instruments of darkness sound outs ustruths, win us with honest trifles, to betrays in deepest consequence. (Act I,Scene 3)  A attentive yet skeptical Banquo speaks his words here very carefullyto MacBeth in order to remain honorable.  He doesnt want to come right out andtell MacBeth to be cautious in his actions, so he tries to soften his words sothat MacBeth force contemplate his future movements.  However, MacBeth does nottake heed of Banquos warnings. Because of the witchs predictions and hisimpatience, MacBeth kills in order to get what he expects is coming to him.When Banquo takes time to contemplate what has been going on, he turns histhoughts to MacBeth.  He expresses his feelings about the situation in Act II,Scene 1.  Banqou feels that MacBeth might have something to do with the murders,but he never stands up for his thoughts or listens to his conscience untilMacBeth comes to him one day.  When MacBeth asks to talk pri vately to Banquo,Banquo states So I lose none in seeking to augment it, but still keep mybosom franchised and allegiances clear, I shall be counseled.  (Act III, Scene1)  Banquo means that he will talk to MacBeth, sound as long as MacBeth knowsthat he is loyal to the King.  This is the only time that Banquo sets his footdown against others to stand up for his morals.         Just like Banquo, MacBeths appearance differs from his true self.MacBeth portrays himself to be strong and wise, but inside he is truly weak.When he first faces the witchs predictions, he says Come what come may, time

Harper Lees To Kill A Mockingbird Essay example -- Harper Lee Kill Mo

Harper Lees To Kill A MockingbirdIn the novel by Harper Lee named, To Kill a Mockingbird, there is one main tragic event that occurs. The feelings and expressions dealt with in the novel are seen through the eyes of the main character, named Scout. In the novel Tom Robinson is a murky male accused of rape in Maycomb County. During the same time period as the novel there were many historical events that were almost identical in setting and conclusion. There were many things that happened leading up to the court character that foreshadowed Tom Robinsons inability to be found innocent of the charges. The Scottsboro case and the case in the novel are like in many ways, especially in that they ruined the lives of blacks over false accusations.An event that was very much similar in nature to the novel was the Scottsboro trials. The Scottsboro trials involved nine young black males who were charged with the rape of two sporting females on a train. The black boys on the train got into a fight with some white males, which was the beginning of their worst nightmare. The two women on the train that made the accusations saw an opportunity to stage a rape claim.The two women in the Scottsboro case were from poor families living in African-American communities. In the 1920s and 1930s it was not common for white families to live in black communities. Even though there were a few that lived in the black communities, they were not thought highly of. The two womens names were Victoria hurt and Ruby Bates. During the court case, Another witness claimed that he had let Price use a room for prostitution and that she turned down a white man once because it was Negro night (Greatest). Ruby Bates situation was not much bet... ...onvicted of a crime that he didnt commit, which eventually led to his death. The townsfolk of Maycomb committed a sin, by killing a mockingbird.Works CitedThe Greatest Trials of All Time. The Scottsboro Boys. 1998. Court TV Online. 13 Feb. 2002. <http//www.courttv.com/greatesttrials/scottsboro/players.html.Johnson, Claudia Durst. Understanding To Kill A Mockingbird. 1994. conceive Quest. 13 Feb 2002. < http//library.thinkquest.org/12111/scottsboro/rubybate.htm.Linder, Doug. The Scottsboro Boys Trials . Biographies. 2002. . . <http//www.law.umkc.edu/faculty/projects/FTrials/scottsboro/SB_biog.html.Lee, Harper. To Kill a Mockingbird. New York Time Warner, 1982.Scottsboro An American Tragedy. People & Events. 2000. PBS <http//www.pbs.org/wgbh/amex/scottsboro/peopleevents/index.html.

Harper Lees To Kill A Mockingbird Essay example -- Harper Lee Kill Mo

Harper Lees To Kill A MockingbirdIn the novel by Harper Lee named, To Kill a Mockingbird, there is ace main tragic event that occurs. The feelings and expressions dealt with in the novel are seen through the eyes of the main character, named Scout. In the novel Tom Robinson is a sour male accused of intrusion in Maycomb County. During the same time period as the novel there were humanityy historical events that were almost identical in backdrop and conclusion. There were many things that happened leading up to the court case that foreshadowed Tom Robinsons inability to be found innocent of the charges. The Scottsboro case and the case in the novel are similar in many ways, especially in that they ruined the lives of blacks over false accusations.An event that was very much similar in nature to the novel was the Scottsboro trials. The Scottsboro trials involved nine young black males who were charged with the rape of two white females on a check out. The black boys on th e train got into a fight with some white males, which was the beginning of their worst nightmare. The two women on the train that made the accusations saw an opportunity to stage a rape claim.The two women in the Scottsboro case were from poor families living in African-American communities. In the 1920s and 1930s it was not common for white families to live in black communities. Even though there were a few that lived in the black communities, they were not thought highly of. The two womens names were Victoria Price and scarlet Bates. During the court case, Another witness claimed that he had let Price use a room for prostitution and that she turned down a white man once because it was Negro night (Greatest). Ruby Bates situation was not much bet... ...onvicted of a crime that he didnt commit, which eventually led to his death. The town of Maycomb affiliated a sin, by killing a mockingbird.Works CitedThe Greatest Trials of All Time. The Scottsboro Boys. 1998. Court TV Online. 13 Feb. 2002. <http//www.courttv.com/greatesttrials/scottsboro/players.html.Johnson, Claudia Durst. Understanding To Kill A Mockingbird. 1994. Think Quest. 13 Feb 2002. < http//library.thinkquest.org/12111/scottsboro/rubybate.htm.Linder, Doug. The Scottsboro Boys Trials . Biographies. 2002. . . <http//www.law.umkc.edu/faculty/projects/FTrials/scottsboro/SB_biog.html.Lee, Harper. To Kill a Mockingbird. New York Time Warner, 1982.Scottsboro An American Tragedy. People & Events. 2000. PBS <http//www.pbs.org/wgbh/amex/scottsboro/peopleevents/index.html.

Improving Health Well Being America Health And Social Care Essay

The United States incision of Health and Human Services ( DHHS ) has put into topographic point a strategical program that will sanction embrace completely facets of health and wellbeing. By embracing sanctuary, affordability, quality and availableness of wellness oversight in America they subscribe composed a strategic program for the following 3 to 4 yeas that is designed to assist melioration, incorporate, and develop better cognition, and an overall support system to assist the communities for which they serve. The DHHS has both short and farsighted term ends that will assist better the lives of teens, kids, grownups, seniors and vulnerable populations so that they cig bette bask economic independency and societal wellbeing. The DHHS has made a point to specifically make out to different cultural minority groups, same sex twosomes, veterans and at-risk kids. They incorporate the mental, physical, religious and psychological elements of wellness attention so that perso ns and communities likewise stinkpot work at their fullest capacity.Goals and AimsGoal 1The ends and visions of the surgical incision of Health and Human Services argon all in line with each other and have a instead domino affect on each other. Their chief focal point is on protection, bar, and result for Americans of all ages and ethnicities. Their first end is to better the safety, quality, affordability and handiness of wellness attention, including behavioural wellness attention and long-run attention. In making so they have besides outlines their four chief aims. They plan on widening wellness insurance and long-run attention coverage, increasing wellness attention process handiness and handiness, bettering wellness attention quality, safety, cost, and value, and recruiting, developing, and retaining a competent wellness attention work force. 1 The DHHS Mission Statement The Department of Health and Human Services prevalentizes the physical, societal and emotional wellbei ng of the occupants of the United States, in conformity with duty and county ordinances. The DHHS Vision Statement We will be recognized as one of the taking wellness and human services sections in the province. The DHHS ValuessCUSTOMER SATISFACTION We bank that the bureau s success is dependent on run intoing our client and community demands and transcending their outlooks. Choice IMPROVEMENT We see in uninterrupted plan and service rating that leads to betterment of our procedures and results. Fiscal RESPONSIBILITY We believe in being responsible stewards of the financial resources of our bureau and guaranting that those clients with the greatest demand are served. Leadership We believe that staff have the capacity to be effectual leaders and that leading is an indispensable constituent of the success of our bureau. Teamwork We believe that unfastened communicating and squad decision-making are indispensable for the achievement of our bureau mission and vision. Organizatio nal Excellence We believe in furthering a work civilization that promotes committedness to the bureau mission and values, vanity and common regard among staff and encourages personal growing. Goal 2The DHHS 2nd end is to concentrate on public wellness publicity and protection, disease bar, and exigency bent Prevent and control disease, hurt, unwellness, and disablement across the life quantify, and protect the populace from infective, occupational, environmental, and terrorist menaces. Their aims include the undermentioned Preventing the spread of infective diseases, protecting the populace against hurts and environmental menaces, advancing and promote preventative wellness attention, including mental wellness, lifelong healthy behaviours, and recovery, fixing for and respond to natural and manmade catastrophes. 1Concentrating its displacement on human services, the U.S. Department of Health & A Human Services has incorporated the 3rd end into their program of advancing the eco nomic and societal wellbeing of persons, households and communities with a focal point on specialization and independency. Their aims include the undermentioned Promoting the economic independency and societal wellbeing of persons and households across the lifetime. Protecting the safety and further the wellbeing of kids and young person, and promoting the instruction of strong, healthy, and supportive communities, and treat toing the demands, strengths, and abilities of vulnerable populations.1The U.S. Department of Health & A Human Services are in conclusion seeking to concentrate their attempts on scientific research and development by progressing scientific and biomedical research and development related to wellness and human services. Their aims include Strengthening the pool of qualified wellness and behavioural scientific discipline research workers. Increasing basic scientific cognition to better human wellness and human development. Conducting and supervising applied re search to better wellness and wellbeing, and eventually, pass oning and reassigning research consequences into clinical, public wellness, and human service pattern. 1Internal Analysis Healthy Peoples 2010The U.S. Department of Health & A Human Services takes the thought of partnerships really earnestly. They have aligned themselves with assorted wellness organisations in such a manner that they about appear to hold a monopoly in the large universe of public wellness. In making so, they have formed strong partnerships with the Office of the Secretary, The Administration for Children & A Families, The Administration on Aging, The style for Healthcare Research & A Quality, The Agency for Toxic Substances & A Disease Registry, The Centers for Disease Control & A Prevention, and of class the Centers for Medicare & A Medicaid Services.1 This confederation helps give them the competitory advantage that they need on a national degree. This allows them to raise the saloon high and pa rticularise the criterions of US health care today. They are to a great extent involved in insurance policy devising and turn overing out programs to advance fitter persons in all metropoliss, at all ages and their strategic program incorporates their ill-famed Healthy People 2010 scheme. In this 5 twelvemonth program, the DHHS programs on puting forth a set of disease bar and wellness publicity aims for the State to accomplish over the first decennary of the new century. Overarching ends are to increase quality and old ages of healthy life and extinguish wellness disparities.1One on One An Interview with the Planning Dept.In an interview with Audrey Mirsky-Ashby, from the DHHS Department of Planning and Evaluations, she stated that, all of our packaging must continually be evaluated and re-evaluated on a annual footing. We report to the secretary general on our advancement in these one twelvemonth increases. When inquiring what their long term and short term ends were she prov ided me with a nexus to their 2009 high spots which outlined one time once more their mission to heighten the wellness and wellbeing of Americans by supplying for affectional wellness and human services and by furthering strong, prolonging progresss in the scientific disciplines implicit in medical specialty, public wellness and societal services.2 Ms. Mirsky-Ashby besides stated the importance of remaining in line with our strategic program by printing all budget paperss, strategic ends and what we have accomplished and the steps we ve reported on. Knowing that their strategic program covers FY 2007-FY2012, when asked what she feels their advancement has been therefore far afterward about 2 old ages into their program, she stated we ever advise people to look at the secretary general s exe calamityive statement to solvent that inquiry. Ms. Mirsky-Ashby feels that we are right in line where we should be. When asked about arguing and where she feels the DHHS stands in a compe titory market construction, she stated she did nt experience she was the right individual to state that inquiry but mentioned that at the DHHS we have over 300 authorities run wellness plans and that in relation to other smaller authorities wellness bureaus they have a $ 700 billion budget and that, entirely, is difficult to vie against. When asked to notice on the mission statement of the organisation, Ms. Mirsky-Ashby said that the DHHS strategic program by enactment must reflect their mission statement. When thanking her for the interview she claimed she felt our inquiries were more geared toward private health care organisations, non public/government-run 1s. As anyone can see the Department of Health and Human Services had carefully followed its strategic program merely like the Zuckerman theoretical accounts suggests in its Objectives subdivision of the trigon ( pyramid ) , they have analyze their short term ends twelvemonth by twelvemonth and maintained a mensurable, realistic manner. The Healthy Peoples 2010 enterprise is a nice half manner run into point for the DHHS to assist supervise advancement in the center of their strategic program because it falls right between 2007 and 2012. Healthy People 2010 contains 467 aims in 28 different countries. These focus countries are watched under two chief ends to increase quality and old ages of wellness life, and to extinguish wellness disparities.3 This helps supply a set of indexs to assist place an country necessitating wellness betterments, and even discusses how to run into those ends. For illustration this peculiar focal point country of baccy usage has 2 indexs to cut down coffin nail smoke in teens by 20 % by the twelvemonth 2010, and in grownups by 12 % . This would fall under the deed class in the Zuckerman text.4External Analysis What about Alternate Medicine?Unfortunately no where in the DHHS strategic program does it advert anything about pass over therapies for health care, like styl ostixis, or any sort of support specifically allocated towards any type of alternative/ complimentary medical specialty therapies or services. It is these services that are normally non covered by Medicaid or Medicare. These services have been long ignored by authorities bureaus and are contending an acclivitous conflict with the pharmaceutical industry. The strategic program lacks any sort of impressions or thoughts in relation to preventative attention through cheaper steps, like vitamins, supplementation, anti-aging, hormone replacing therapies, optical maser therapies etc. any(prenominal) might reason that this type of ancient eastern medical specialty is a waste of authorities support and surveies sing these therapies are unneeded. However these therapies can assist bring around some of the implicit in causes of malignant neoplastic diseases, aging, and neurological diseases. In an article in Life Extension magazine, the intellectual nourishment and Drug Administration ( po rtion of the DHHS ) halted all surveies on DMSO ( dimethyl sulfoxide ) an cheap compound that demonstrates powerful anti- subversive and analgetic belongingss shown to alleviate musculoskeletal and urinary conditions, ulcerative inflammatory bowel disease, herpes, Down s syndrome, arthritis, and may even assist prevent malignant neoplastic disease and Alzheimers.5 It is things like this that the DHHS wo nt apportion support for. The article suggests that unexpectedly one ground the authorities withholds funding for research is because pharmaceutical and biotech companies do nt see any profitableness in it and are coercing authorities bureaus, with their heavy foyer in Washington, to keep back support. These state of affairss are coercing eager patients to turn to the cyberspace and the black market for drugs like these. It has been wondered if the DHHS and authorities bureaus are nt taking the alternate medical specialty community earnestly, and in the article Dr Jacob explains that, a presumption drug or medical specialty will handle a given disease or more, but a curative rule is an wholly new construct in therapy. 6 Some say the authorities is numb of alteration, and ca nt see the bigger image, but this one illustration of a drug unavailable to most patients should assist the DHHS see the value and look ago the short-sidedness of its long term preventive benefits.Decision They ve got it CoveredThe Department of Health and Human Services truly has a leg up on any competition that would of all time come their manner. They have gone far beyond covering the merely issues confronting public wellness today. They have accurately followed, evaluated and monitored the patterned advance of their 5 twelvemonth strategic program. They are non afraid to shut the spread between health care and accessing it at all degrees. They have implemented plans for all ages, races, faiths and even at-risk and vulnerable populations to assist them be more educated in their health care picks. Their Mission and vision for today is all embracing and touches on how to better wellness and safety for all populations to assist guarantee that no 1 is left behind in their strive to better the wellness safety and wellbeing of America.AAAA

Gender communication

For many years, society has influenced how humans act and pay back it towards one an otherwise depending on the scenario and the sex that they ar specified to. brotherly and cultural norms can significantly influence both the expression of gender iden knockery, and the nature of the interactions between genders.Gender culture, the set of behaviors or practices associated with masculinity and femininity (Relish p 423), pay a huge contri thation on how and why males and females fleet fervently with other genders. Researchers like Susan Relish believe that the differences start from childhood with the games they atomic number 18 influenced to play. The stereotypes the media present nowadays also play a factor on the difference Of males and females. It ultimately affects the talk styles by the way they process information, the leadership role males operate to feel, and their talk time.Since childhood, little girls are influenced to play house, with no rules, obligations, or worr ies about anything because the dad is the one who should make the money while the mom stays home. composition on the other hand, most if not all, boys are obligated to join sports teams, be competitive, and have goals and strategies. These differences as children cause wowork force to operate from assumptions about communication, and use rules for communication that differ significantly from those endorsed by most men (Relish p 422).Little boys are told to suck it up if they get hurt during a game while the girls are bleeded to as quickly as possible which can explain why many men dont show as much emotion when they go through. Aries research shows that men arent as open as women are with others Men are more likely than women to emerge as leaders, to be directive and hierarchical, to dominate in groups by talking more and interrupting more and to be oriented toward solving problems. In contrast, women are found to be more expressive, supportive, facilitative, egalitarian and coo perative than men.In the movie, John play out Must Die, the star athlete portrays the typical stereotype male in which they have locker room talk. His friends make fun of him because he is whipped but he turns it around by saying that he only does It so that he can get laid. Reason he does that is because he doesnt ant to show weakness with other men and requisites them to know that he is the hierarchy in the relationship. On the other hand, girls are more open and talk with each other for advice using every detail they can. Women are more expressive with each other rather than men who are better at keeping everything bottled in.According to Lewis and Miller, women communicate emotionally through facial expressions. When females communicate, they tend to use mostly their eyebrows to get their message across. The like to look at the person they are talking to, to make sure that they are listen inning and paying attention to them. Women at often times do not care of the leadership r ole as long as they are listened to. At the University of Texas at San Antonio, a survey was within the students of the campus between the ages of 1 8 to 25 to see how they communicate otherwise depending on the people they are with.The table below shows the findings Fig. 1 DUST communication difference between ages 18 to 25 Upon doing the survey, it is found that men tend to change the way they communicate with others because of accessible stereotypes while females do not change as much. After some more research, males communicate different tit other males and like to show aggressiveness and hierarchy to not show weakness even though it is not always the case unlike women who communicate almost the same with everyone as long as they get their point across to the other person. Attitude is a strategy both female and males do but differently.Carpis research shows that men interrupt when they want to get their point across to show authority while Women tend to nod their head, wait an d listen. When males communicate with each other, they tend to debate and disagree with each other and with not much eye contact while on the other hand , females re inclined to show support as their motherly instincts come out. When males and females get in a heated discussion, males are most likely to mediocre behave off without wanting to talk about it to avoid having long talks and get aggressive rapidly while the females show much emotion and want to talk everything out.Rather than just talk everything out, men would much rather prefer doing some activities instead (Wright p 49). Fig 2. Females Fig. 3 Males The data below are the Wrights finding between males and females of ages 20 to 24. It is safe to with the data that women prefer to talk with friends than o activities while men want to beat around the bush and just take their mind of it. Women like to take their time talking about their issues and men just keep simple. Pond all this research, sex is the root root of diff erences of how males and females relate and communicate to others. Whether it is to show hierarchy or express their feelings, it is safe to say that both genders ultimately communicate different based on social norms and to get their point across.

Paradise Lost

Strictly followe the tradition of classical epos, Milton made his Paradise Lost, a work that roused the enkindle of every last(predicate) men in every ages. We can even claim that by his creative genius, he has modified and ennobled that tradition. Though its produce is classical, its content tends to be on the scriptural side. The very opening lines exhort its exchange issue Of mans disobedience The b nonpargonil of contention between the critics of all ages is about(predicate) whom the hero of this epic is God, the Tempter or Adam.Un precariousnessedly we are forced to say that a good number of passing plays, especially in the first 2 books of Paradise Lost, give a fearless acme to heller, the major among the fallen angels. Gradual diminution of monsters glory and grandeur is an integral tell apart of Miltons epic-design. The demon of Books I and II is a creature of such dynamic readiness and colorful splendor that many of the epics readers are tempted to consider him as the hero of the poem.That Milton did non so regard him and that, in rejecting the friction match of the earlier part of the epic, Milton was non being paradoxical to his poetic self, is fade from Satans opening soliloquy in Book IV, at least the first ten lines of which were written before Books I and II. In this and concomitant soliloquies Milton is able to present the character of Satan more fully and in a partly spectacular form, by placing him in a situation which denies him an electric outlet for his rhetoric and invites introspective self-examination.Milton, no doubt, intended Satan at least in the early books to be representative of the old courageous values which were to be superseded by the better fortitude of patience and heroical martyrdom. Unfortunately for Milton, readers of Paradise Lost produce not been able to touch off the heroic qualities of Satan in the first two books. Along with that, three other positionors contri excepted to the result. In English, the word hero has the meaning of a central contrive, and this Satan is definitely in these early books.Milton was strong and fresh creatively when he characterized Satan in these early books and he never succeeded in producing a challenger hero of similar stature but opposed ideals. Milton lavished all his power, all his skill, and the considerableer part of his sympathy on the splendid figure of Satan. spelly critics have agreed to the fact that the epic value of the whole epic is centered in the achievements and characterization of Satan. His unyielding agony represents the insightful antinomy of the innovational consciousness. Satan expresses, as no other character in the epic does, something in which Milton believed strongly, that is, heroic energy.It is through Satan that Miltons own heroic energy has been so strongly shown forth. This is expressed through conflict and endurance. The odds are against him, he has to wage warfare against the Omnipotent, but still he persists and struggles, and wins our profoundest admiration and sympathy. No doubt, his energy is unreasoning, no doubt it is devoted to his wicked fretfulness for revenge, and plasteredly he is carried away by hate and envy, but still we cannot help admiring him for the heroic energy with which he persistently struggles against heavy odds to achieve his aims.Miltons Satan is not a comic or grotesque figure same(p) the deuce or Vice of medieval writers or the demons of other epic poets. Being a principal figure of an epic, if a certain amount of grotesquery was drawn in the character of Satan, it would have definitely impaired the self-worth of the poem. Many predecessors of Milton have done the same but in this respect in addition Milton was daringly original. On the other hand, it cannot be denied that by attempting at proving himself self-begotten, Satans behavior tends to the comic and contradictory. Moreover, only a fool would pit himself against omnipotence and then invite certain disaster.But Miltons Satan is neither a fool nor a clown. He definitely has the beauty of sublimity and the grandeur and majesty and dignity of bearing. The poet drives home this noblesse and greatness of his bearing in wonderfully mentored fine passages which can be hailed as the best among those that have been ever written. The following passage confirms the point sour it s likewised as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart, what seemed his head The likeness of a kinglike crown had on. Satan was now at hand, and from his seat The monster moving onward came as fastWith horrid strides Hell trembled as he strode. (II 495-501) courteously and fearlessly Satan addresses himself to the monarch of the nethermost abyss. His speech contains no threats he asks for guidance in his quest and, with politic fore-thought, promises that quest, if successful, shall restore an outlying disjointed body politic to Chaos. In the war on the plains of Heaven, Satan ranges up and down the fighting line, like Cromwell he fortifies his comrades to endurance, and encourages them to attack. In Hell he stands like a rise His form had further not lost in all its original brightness, nor appearedLess than Archangel ruined, and the excess Of glory obscured I (591-4) In his contests with Michael in nirvana and with Gabriel on earth, he never falls below himself If I must contend, said he, Best with the best the sender, not the sent Or all at once. IV (851-3) His pursual are devotedly attached to him they admire him that for the general safety he despised his own and the only scene of rejoicing enter in the biography of Hell, before the Fall of Man, is at the dissolution of Stygian Council, when the devils come forth rejoicing in their matchless chief. The allure of gratis(p) willing is where the attracter and power of Satans character lies. Satan may be quite useless when it comes to fighting the ten thousand thunders of Ch rists fury, but in his will he is uncaring and in his mind he is supreme What though the field be lost? All is not lost the unconquerable will (I. 105). (Zeng, Nicholas http//www. christs. cam. ac. uk/darknessvisible/about_us/nicholas_zeng. html) As if to set purport to raise Satan high above the heads of other archangels, Milton devises a pair of similar scenes in Heaven and in Hell.In the one Satan takes upon himself the occult dangers of the enterprise that has been approved by the assembly. In the other, which occurs in the very next book, the Heavenly powers are addressed from the Throne, and asked Which of ye will be mortal, to deport Mans mortal crime, and just, the unjust to save? III (214-5) None in heaven is ready to take the risk but Satan takes upon himself the dicey task of change of location through Chaos and seducing Man. there is no doubt in the fact that Satans over-mastering passions are hate, ambition and desire for revenge, but he is not presented as a monster of wickedness or an unredeemed villain.Milton has skillfully humanized his character. Hence, though Satan in the enemy of God and Man alike, he is not entirely devoid of gentler characteristics. He is deeply regretful at the thought of the ruin in which he has involved his followers and this remorse actually brings divide to his eyes. In the second book, we see him showing forth a noble sense of the duty of self-sacrifice incumbent on him owing to his position as king of hell, by sacrificing his own safety for the general cause and as a result, undertaking alone the difficult enterprise which scare away the courage of the capacityiest of his followers.This characteristic of Satans character is maintained in the later books. We see him twice melted with compassion seeing the harmless pureness of Adam and even whose ruin he is plotting in book IV (389. 462-66). These softer feelings are to be seen as only occasional touches introduced to relieve the grandeur of a characte r basically terrible, a character who is, though not totally devoid of gentle traits, on the whole most like a flop tempest, or an avalanche, or any other force of nature that is a harmonious blending of beauty of sublimity and immense destructive power.With due sympathy and dramatic power, Satans character has been drawn which further revealed Miltons proud spirit of independence and superiority to the utmost. Satan is certainly a self-portrait, a climb against tyranny and dark like Milton himself. The sen clocknt which he expresses courage never to submit or yield better to reign in hell than to march in heaven, raises his stature to that of an epic hero.Satan is such a magnificently drawn character and such is the fascination he has exercised on the readers of the great epic of all times, paradise lost, that ever since Dryden has christened Satan as Miltons hero, critic after critic has taken him to be the hero of the epic. There is no doubt that he dominates Books I and II of the epic in which he towers head and shoulders above his followers, but after that there is a advancing degradation and shrinking in his character. His gradual loss of physical brightness is accompanied by a corresponding deterioration of character. The audience, however, does find someplace to tog its sympathy, and that place is in the character of Satan. The audience first sees Satan waking in Hell where he and the other fallen angels despair. Through his despair, however, Satan claims, All is not lost the unconquerable will,// And study of revenge, immortal hate,// And courage never to submit or yield . . . That glory never shall his wrath or might// Extort from me (I. 104- 111). (http//www. essortment. com/all/satanparadisel_rsng. htm) It is by his own will that he becomes a ophidian in Book IX. In Book X, he is a serpent whenever he wants to erosion its garb.This degradation that is progressive is drawn home most effectively. His beginning is shown as fighting for l iberty, however it is misconceived. But very soon his stature goes down as he starts fighting for Honour, Dominion, glorie, and renounce. But it is seen that he is defeated in this in no time. Then he resorts to the great plotting that forms the outcome of the epic the ruining of two creatures that are in no way harmful to him, but this is not at all keeping in cause a beneficial expectation of triumph, but only to annoy the enemy who is beyond his reach for a direct encounter.This makes him stoop to the level of a grass coming into the universe, that too as a low level spy who peeps into the privacy of a man and wife, and it is there that he is described for the first time as Devil, not the fallen Archangel nor the dreaded emperor of Hell. If we take into account not merely Books I and II, but the epic as a whole, Satan cannot be regarded as the hero. As he is carried away by his passion for revenge, envy and hatred, to use guile and cunning to achieve his end, Satan is the v illain of the musical composition and not the hero.Closely woven with the story of the fall of man is the story of the fall of Satan and his followers. Their fall also bears out that the theme of the epic is the success of passion over reason and its terrible consequence. Satan falls not because he is a lesser being, but due to his well-favoured priority to passion over reason. He is proud and is carried away by inordinate ambition and lust for power. He claims absolute equality, foolishly imagines that he is self-created, regards immortals recover as tyrannous, rebels against him and is consequently overthrown and hurled into hell.He is the very embodiment of unrestrained passions which ultimately bring no satisfaction. Debates are still going on about the fact that Satan is such a driving force within the great epic. It ranges from William Blakes comment that Milton wrote in fetters when wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a cur rent Poet and of the Devils party without knowing it (Black 2007, p. 996) to the plea that this poem is nothing more than a christian tale in which milton is unrewarded in depicting what he intended to do. (Marshal 1961, p. 19)Paradise LostStrictly following the tradition of classical epic, Milton made his Paradise Lost, a work that roused the interest of all men in all ages. We can even claim that by his creative genius, he has modified and ennobled that tradition. Though its form is classical, its content tends to be on the scriptural side. The very opening lines exhort its central theme Of mans disobedience The bone of contention between the critics of all ages is about whom the hero of this epic is God, Satan or Adam.Undoubtedly we are forced to say that a good number of passages, especially in the first two books of Paradise Lost, give a heroic stature to Satan, the major among the fallen angels. Gradual diminution of Satans glory and grandeur is an integral part of Miltons e pic-design. The Satan of Books I and II is a creature of such dynamic energy and colorful splendor that many of the epics readers are tempted to consider him as the hero of the poem.That Milton did not so regard him and that, in rejecting the Satan of the earlier part of the epic, Milton was not being false to his poetic self, is clear from Satans opening soliloquy in Book IV, at least the first ten lines of which were written before Books I and II. In this and subsequent soliloquies Milton is able to present the character of Satan more fully and in a partly dramatic form, by placing him in a situation which denies him an outlet for his rhetoric and invites introspective self-examination.Milton, no doubt, intended Satan at least in the early books to be representative of the old heroic values which were to be superseded by the better fortitude of patience and heroic martyrdom. Unfortunately for Milton, readers of Paradise Lost have not been able to shake off the heroic qualities o f Satan in the first two books. Along with that, three other factors contributed to the result. In English, the word hero has the meaning of a central figure, and this Satan is definitely in these early books.Milton was strong and fresh creatively when he characterized Satan in these early books and he never succeeded in producing a rival hero of similar stature but opposed ideals. Milton lavished all his power, all his skill, and the greater part of his sympathy on the splendid figure of Satan. Many critics have agreed to the fact that the epic value of the whole epic is centered in the achievements and characterization of Satan. His unyielding agony represents the insightful antinomy of the modern consciousness. Satan expresses, as no other character in the epic does, something in which Milton believed strongly, that is, heroic energy.It is through Satan that Miltons own heroic energy has been so powerfully shown forth. This is expressed through conflict and endurance. The odds ar e against him, he has to wage war against the Omnipotent, but still he persists and struggles, and wins our profoundest admiration and sympathy. No doubt, his energy is unreasoning, no doubt it is devoted to his wicked passion for revenge, and certainly he is carried away by hate and envy, but still we cannot help admiring him for the heroic energy with which he persistently struggles against heavy odds to achieve his aims.Miltons Satan is not a comic or grotesque figure like the Devil or Vice of medieval writers or the demons of other epic poets. Being a principal figure of an epic, if a certain amount of grotesqueness was drawn in the character of Satan, it would have definitely impaired the dignity of the poem. Many predecessors of Milton have done the same but in this respect too Milton was daringly original. On the other hand, it cannot be denied that by attempting at proving himself self-begotten, Satans behavior tends to the comic and contradictory. Moreover, only a fool woul d pit himself against omnipotence and thus invite certain disaster.But Miltons Satan is neither a fool nor a clown. He definitely has the beauty of sublimity and the grandeur and majesty and dignity of bearing. The poet drives home this nobility and greatness of his bearing in wonderfully mentored fine passages which can be hailed as the best among those that have been ever written. The following passage confirms the point Black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart, what seemed his head The likeness of a kingly crown had on. Satan was now at hand, and from his seat The monster moving onward came as fastWith horrid strides Hell trembled as he strode. (II 495-501) Courteously and fearlessly Satan addresses himself to the monarch of the nethermost abyss. His speech contains no threats he asks for guidance in his quest and, with politic fore-thought, promises that quest, if successful, shall restore an outlying lost province to Chaos. In t he war on the plains of Heaven, Satan ranges up and down the fighting line, like Cromwell he fortifies his comrades to endurance, and encourages them to attack. In Hell he stands like a tower His form had yet not lost All its original brightness, nor appearedLess than Archangel ruined, and the excess Of glory obscured I (591-4) In his contests with Michael in heaven and with Gabriel on earth, he never falls below himself If I must contend, said he, Best with the best the sender, not the sent Or all at once. IV (851-3) His followers are devotedly attached to him they admire him that for the general safety he despised his own and the only scene of rejoicing recorded in the annals of Hell, before the Fall of Man, is at the dissolution of Stygian Council, when the devils come forth rejoicing in their matchless chief. The allure of free will is where the attractiveness and power of Satans character lies. Satan may be quite useless when it comes to fighting the ten thousand thunders of Christs fury, but in his will he is free and in his mind he is supreme What though the field be lost? All is not lost the unconquerable will (I. 105). (Zeng, Nicholas http//www. christs. cam. ac. uk/darknessvisible/about_us/nicholas_zeng. html) As if to set purpose to raise Satan high above the heads of other archangels, Milton devises a pair of similar scenes in Heaven and in Hell.In the one Satan takes upon himself the unknown dangers of the enterprise that has been approved by the assembly. In the other, which occurs in the very next book, the Heavenly powers are addressed from the Throne, and asked Which of ye will be mortal, to redeem Mans mortal crime, and just, the unjust to save? III (214-5) None in heaven is ready to take the risk but Satan takes upon himself the dangerous task of traveling through Chaos and seducing Man. There is no doubt in the fact that Satans over-mastering passions are hate, ambition and desire for revenge, but he is not presented as a monster of wi ckedness or an unredeemed villain.Milton has skillfully humanized his character. Hence, though Satan in the enemy of God and Man alike, he is not entirely devoid of gentler characteristics. He is deeply remorseful at the thought of the ruin in which he has involved his followers and this remorse actually brings tears to his eyes. In the second book, we see him showing forth a noble sense of the duty of self-sacrifice incumbent on him owing to his position as king of hell, by sacrificing his own safety for the general cause and as a result, undertaking alone the difficult enterprise which daunted the courage of the mightiest of his followers.This trait of Satans character is maintained in the later books. We see him twice melted with compassion seeing the harmless innocence of Adam and Eve whose ruin he is plotting in book IV (389. 462-66). These softer feelings are to be seen as only occasional touches introduced to relieve the grandeur of a character essentially terrible, a charact er who is, though not totally devoid of gentle traits, on the whole most like a mighty tempest, or an avalanche, or any other force of nature that is a harmonious blending of beauty of sublimity and immense destructive power.With due sympathy and dramatic power, Satans character has been drawn which further revealed Miltons proud spirit of independence and superiority to the utmost. Satan is certainly a self-portrait, a rebel against tyranny and injustice like Milton himself. The sentiment which he expresses courage never to submit or yield better to reign in hell than to serve in heaven, raises his stature to that of an epic hero.Satan is such a magnificently drawn character and such is the fascination he has exercised on the readers of the great epic of all times, paradise lost, that ever since Dryden has christened Satan as Miltons hero, critic after critic has taken him to be the hero of the epic. There is no doubt that he dominates Books I and II of the epic in which he towers head and shoulders above his followers, but after that there is a progressive degradation and shrinkage in his character. His gradual loss of physical brightness is accompanied by a corresponding deterioration of character. The audience, however, does find someplace to invest its sympathy, and that place is in the character of Satan. The audience first sees Satan waking in Hell where he and the other fallen angels despair. Through his despair, however, Satan claims, All is not lost the unconquerable will,// And study of revenge, immortal hate,// And courage never to submit or yield . . . That glory never shall his wrath or might// Extort from me (I. 104- 111). (http//www. essortment. com/all/satanparadisel_rsng. htm) It is by his own will that he becomes a serpent in Book IX. In Book X, he is a serpent whenever he wants to wear its garb.This degradation that is progressive is drawn home most effectively. His beginning is shown as fighting for liberty, however it is misconceived. But very soon his stature goes down as he starts fighting for Honour, Dominion, glorie, and renounce. But it is seen that he is defeated in this in no time. Then he resorts to the great plotting that forms the essence of the epic the ruining of two creatures that are in no way harmful to him, but this is not at all keeping in front a serious expectation of triumph, but only to annoy the enemy who is beyond his reach for a direct encounter.This makes him stoop to the level of a spy coming into the universe, that too as a low level spy who peeps into the privacy of a man and wife, and it is there that he is described for the first time as Devil, not the fallen Archangel nor the dreaded emperor of Hell. If we take into account not merely Books I and II, but the epic as a whole, Satan cannot be regarded as the hero. As he is carried away by his passion for revenge, envy and hatred, to use guile and cunning to achieve his end, Satan is the villain of the piece and not the hero.Closely woven with the story of the fall of man is the story of the fall of Satan and his followers. Their fall also bears out that the theme of the epic is the victory of passion over reason and its terrible consequence. Satan falls not because he is a lesser being, but due to his giving priority to passion over reason. He is proud and is carried away by inordinate ambition and lust for power. He claims absolute equality, foolishly imagines that he is self-created, regards gods rule as tyrannous, rebels against him and is consequently overthrown and hurled into hell.He is the very embodiment of unrestrained passions which ultimately bring no satisfaction. Debates are still going on about the fact that Satan is such a driving force within the great epic. It ranges from William Blakes comment that Milton wrote in fetters when wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet and of the Devils party without knowing it (Black 2007, p. 996) to the pl ea that this poem is nothing more than a christian tale in which milton is unsuccessful in portraying what he intended to do. (Marshal 1961, p. 19)

Ann Taylor External Analysis

How is the fabrication structured? The industry could be defined a specialty seller fibril store which concentrates to a certain fiber of customer or carries certain type of goods. Sectors Discounted mass merchandisers larger imprisonment , Multitier department stores offer a large variety of goods, including clothing. Specialty store chains those catering to a certain type of customer or carrying a certain type of good.Market Size and Growth The National Retail Federation report that the retail niches showing the greater growth were department stores, stores catering to the teenage children of baby boomers, and app atomic number 18l chains aimed to women oer 35. The industry retail industry is big simply the specialty retailer is small. $45. 9 billion of total $108. 7 billion womens clothing purchases in 2009. Major firms ar reporting great deal sales during the past quarters. Economic of Scale Fouth firms dominated the industry, which indicate that large firms surr inter cepter an advantage and economic of scales ar present.To enjoy economic of scales specialty retail stores create use brand extension to appeal to varied segments (production) ad brand expansion (marketing) Vertical Integration Some of the bigger fashion companies are vertically integrated with their line of production so as to be able to shorten production cycle and be able to adapt to the up-to-date demand as well as customer satisfaction. Integrated manufacturing, distribution and retail together, with every step of the process done in-house and not replying on outsourcing. From aim and marketing, fabric storage to warehouse distribution and retail,Degree of Product Differentiation Unlike department stores that sell many different types of products for many types of customers, specialty retailers focus on one type of product item and offer many varieties of that item. Always looking for new segments which can create a branding problem. The product speciality is low because th e product can be produce by other firms. Companies need to compete in price. These dominant economic traits indicate that the structure of this industry is difficult to earn a positive income because is a small industry segment and is dominated by large firms.What kinds of competitive forces are at tempt? Threat of new entrants low * Is easy to enter in the retail industry but hard in specialty retail. Majority of stores are chain stores. Their vertical structure and centralized buying gives chain stores a competitive advantage over independent retailers. If a company has a patent for a product is difficult to enter to the industry. Bargaining power of buyers moderate * The industry sells directly to customers, consumes are free to shop anywhere but there a few alternatives. This makes the industry more attractive.Bargaining power of suppliers low * Specialty retail stores are segmented and suppliers can influence price, quality, and terms. Is a small part of a whole industry, i f supplies decided that the segment does not represent a significant fraction of its sales they can exert power. Apparel stores are known to have a melloweder quality standard, if suppliers dont meet this standard they could get dropped from their line. Threat of substitutes low * Clothing is common known as the elemental need for human life. It is a kind of necessity and is hard to find substitutes to replace the function.Basically, outfit products are no major different in nature, but the main differentiation may come from the brands. So, the treat of substitutes seems not an important factor. Intensity of rivalry high * There are a lot of brands quick in the market. They try to differentiate themselves in order to find their niche and decrease competition, but nonetheless in every niche there are 3-5 direct competitors of different size, but in some locations there are only 1-2 firms and so these locations are preferably attractive to the new entrants.Competition primarily ground on the customer image that firm created and quality, price is the second thing. E-commerce also forces competition because it seriously increases availability of the product in any location. Value-Net * Target a celebrity that is known to ware specialty products. Partner with a magazine who target women over 35 but they were luxury clothes. Partner with other high quality products like cars and phones. Is an extreme competitive industry and there are few complements that would provide options to expand the size of the market. What forces are driving change? opulence fashion spending was up 35 % in 2010, while mainstream fashion gained 8 % overall. +, Great growth of department stores+, 2009 worse holiday season bring back a wave of retail closures among many well- known brands. -, 2008 womens clothes retailer had felt downturn and lost customers and cause shoppers to cut back on purchases. -, Customer had shown a clear preference for select high-end apparel willing to ne t a premium on something that delivers luxury+ Spending in valued-oriented stores has been stable- china wages increase were causing inflation in merchandise manufacturing. Over the next few days is going to be rare for specialty apparel retailer to return to its historical level of profitability. Over all the trends seem to be negative making the industry more comperative. 4. Which rivals are strongly positioned and which are not? What strategic moves are rivals likely to make next? Ann Taylor ANN History Since 1954, Ann Taylor has been the wardrobe source for busy, socially upscale women, and the classic basic black dress. , Contained devil division segments AT and LOFT, In 1998 Ann Taylor created the Ann Taylor Factory, 2000 online store was launched.Goals improving profitability while enhancing both brands. Restoring performance at the Ann Taylor division and. Restoring the momentum at LOFT. Performance the stocktaking responded with new highs, moving to a peak of over $40 i n late 2006, but the stock price retreated in 2007 and 2008. At the end of 2010 the 4th quarter results indicated sales had jumped 10 % from 2009 and although gross margins fell to 51. 7 % from 52. 5 a year early earning per share had nearly quadrupled.Has suffer four-in-hand turnover Next Move increase traffic to the Ann Taylor brand and future enhancing the brand experience. Improving the LOFT brand stores channel and continue to capitalize on the potencial o the online and outlet impart. Investing in the growth of ecommerce channel. Renovating stores to increase productivity. Implement technology for inventory Talbot TLB History Acquired J. Jill group in 2006 specialty retailer offering casual fashion through multichannel targeting women age 35 to 55 and Talbot targeting women age 45 to 65.Decided to sell J. Jill in 2009 in the wake of retailings unfathomable holiday season They have problems integrating both firms They we suffering with inventory that was too mature Goals Bran d s target high-income, college educated professional over 35. Performance Sales dropped in 2010 by 1. 6 percent, but online and direct sales had increase 9. 8 to 6. 7. CEO was expending that the web channels would light growth. Inventory turnover 4. 87 and operating margin -1. 31 Next Move Implement technology for inventory.Open new channels for distribution. Target a different niche 6. What are the key factors for future success? The critical requirements to compete in this industry are * Maintain quality in merchandise immix Requires right product mix, And also increase the inventory turnover ratio, Requires to stay up with fashion trends * Remarkable customer service Quick response to customers, And pay extra attention to customers needs * Control inventory Keep merchandise in 3 price lines budget, off price and moderate.Create a computer dodging to maintain control of inventory and improve productivity * Marketing Established a recognized brand. Explore different niches mark ets Create different distribution channels 7. Is the industry attractive? In conclusion the retail industry is lack of substitutes, easy to entry, the bargain power of buyers is high and for suppliers relatively low. Overall, the attractiveness of the industry is quite favorable. Local/regional National/global New entrant yes yes Established firm yes yes

Drayton 61 Structure Essay

There are many different ways to approach the coordinate of a poem, a piece of fiction, a play. In what follows Im going to make some(prenominal) suggestions about the structure of Michael Draytons poem line of descent Since theres no help, come permit us kiss and part, a sonnet from his collection titled Idea, first published in 1593. Its important for you to understand that there are many valu competent and illuminating ways to talk about this poems structure, non any one, single, serious way. Thats why Im writing suggestions, not prescriptions. When I say the structure of Draytons poem, I mean not only how its put to confirmher but also the way it works.Learning how some amour is put together shows us what the parts are. Learning how those put-together parts work shows us the thing in action. And a short lyric poem like Draytons (any work of literature that were reading, for that matter) is a thing in action, a high-octane process. Here is Draytons poem. Since theres no he lp, come let us kiss and part Nay, I gull done, you get no to a greater extent of me, And I am glad, yea glad with all told my heart That thus so cleanly I myself gage free4 Shake workforce forever, shadowercel all our vows, And when we meet at any time again, Be it not seen in either of our browsThat we one jot of love retain. 8 instantly at the pass away gasp of loves latest breath, When, his throb failing, passion speechless lies, When faith is kneeling by his bed of closing, And innocence is remnant up his eyes, 12 outright if thou wouldst, when all have given him over, From death to life thou mightst him yet recover. Well, what are the parts of this poem? dustup in lines. Specifically, words in lines which usually add up to ten syllables each. Words put together so that they make a rhythm as we say them, a sort of di-da di-da di-da di-da di-da rhythm, with emphasis usually on the da syllable, like thisAnd I am glad, yea glad with all my heart or this And when we me et at any time again. And the poem is made up of lines whose shutting words rhyme (that is, chime together) in a certain sit throughout the poem, like this part / me / heart / free(abab)lines 1-4 vows /again / brows / retain (cdcd)lines 5-8 breath / lies / death / eyes (efef)lines 9-12 over / recover(gg)lines 13-14 This pattern creates groups of lines (they have technical English-teacher terms), which go together because their end-word rhymes link them together lines 1-4=first quatrain lines 5-8=second quatrainlines 9-12=third quatrain lines 13-14=final duad The words in this poem are also organized grammatically, in some(prenominal) ways sentencesthe first (a additive sentencecheck out the term in a handbook or do a Google search) lie ining of the poems first and second quatrains and the second (a periodic sentence) consisting of the third quatrain and the final span clausesa bunch notice, for example, the first line of the poem Since theres no help, come let us kiss and part a subordinate clause followed by a main clause in a faction showing a cause-and-effect relationshipverbssignifi discharget mood shifts within the poem (another technical English-teacher termverbs come in moods, namely the indicative, subjunctive, or imperative, which, if you cant recognize, youd better get a grammar/composition handbook), with the imperative and indicative dominating the first eight lines and the indicative and subjunctive the last six (note curiously wouldst and mightst in ll. 13-14) subjectsall personal pronouns in the first eight lines (us, I, you, we), nouns in the next four (passion, faith, innocence), and a return to pronouns in the final span (thou, all)adverbs expressing timewhen X 4, Now X 2, again, and yet adjectivesthere are very few why Well, despite the fact that GRAMMAR IS REALITY, we probably should get off the grammar wagon for the time being. There are other ways to look at how words in a poem are organized. tump over the way they get sounded w hen you read them. Listen carefully as you say the first two quatrains of the poem Since theres no help, come let us kiss and part Nay, I have done, you get no more of me, And I am glad, yea glad with all my heart That thus so cleanly I myself can free4 Shake hands forever, cancel all our vows,And when we meet at any time again, Be it not seen in either of our brows That we one jot of love retain. 8 Im hearing a lot of one-syllable words. The first three lines consist entirely of one-syllable words, and there are only seven two-syllable words in all of the eight lines. Im also hearing a variant of clipped, short way of speaking in these lines. Partly this is due to (ALERT-ALERT another technical term) alliteration, as in the hard c soundscome, kiss, cleanly, can, Shake, canceland t soundslet, part, get, heart, That, meet, time, it, not, That, jot, retain.Now listen to the way youre sounding the words in the third quatrain Now at the last gasp of loves latest breath, When, his pulse failing, passion speechless lies, When faith is kneeling by his bed of death, And innocence is finish up his eyes 12 Im hearing a lot more two- and even a three-syllable word now, especially in ll. 10-12. Also, Im more aware of a kind of breathiness than I was when reflexion the first eight lines. Partly this is due to the fact that Im saying words here that require more breath than one-syllable words.Theres another reason for the breathiness, and, yup, theres a technical term for this, too, but lets skip over it and listen to whats make this breathiness. What do you notice when you say these words gasp, breath, pulse, failing, passion, faith, bed, death? Feel a little puff of breath coming out of your mouth, a kind of uh, after(prenominal) you say the initial consonant of the word? Thats what Im getting. I think theres another reason Im feeling this breathiness, a reason not related to the sounds of words but to what theyre saying.The speaker in this poem is painting a pictur e in the third quatrain by using images. LOOK OUT (another technical term) imagery or images can refer to literal, descriptive pictures in a piece of writing, as well as to figurative language like (technical alert) similes, metaphors, personifications, etc. , or to both. In the present case, the speakers imagery is both literal and figurative. S/hes creating a deathbed chance theres a last gasp of . . . breath, a pulse failing, a bed of death, even the closing up of the dying persons eyes by an attendant.All this is smart, literal imagery. But whos dying? Someone named love. Who else is present in the scene? Persons named passion, faith, and innocence (in some printed versions of the poem these names are capitalized). These persons are abstract nouns that are being given the characteristics of humanshence the term personification. So Im getting both literal and figurative images, a double-whammy deathbed scene that strongly conveys the idea of the dying persons final expiration. How does the imagery of the end of the poem compare with imagery at the beginning of the poem?I cant see any figurative language at all in the first two quatrains, except for you get no more of me in l. 2, which suggests the idea of possession in a love relationship, and Be it not seen in either of our brows in l. 7, a (you got it) metonymy or figure of speech in which a part is substituted for the whole (brow for face). But for these exceptions, I can come upon more or less literally everything the speaker is saying. S/he and her/his fellow are going to kiss and separatethats all that can be done. The speaker is finished with the partner, and s/hes glad that s/he can make this separation so neatly.Its exactly a case of shaking hands goodbye, freeing each other of any obligation created by what the lovers might have said in the onetime(prenominal) (I swear Ill love you forever, Therell never be another person in my life, Youre the center of my world, etc. ), and making accepted that, whenever they meet in the future, no bystander will be able to detect the slightest trace of their former love. I think its time to start asking how these put-together parts work in action, that is, to see what dynamic process is operating in the poem.If the structure of this poem is a dynamic process, then you ought to be able to see changes, divergencys, shifts, as you move through the poem. In fact, if you compare the beginning of the poem with the end, you can see major shifts. Ive already noted somefor example, the change in verb moods from imperative and indicative in the first eight lines to indicative and subjunctive in the last six. Then theres the difference in the sounds the words make and the style of speaking you can hear, from the direct, concise, controlled tone of ll.1-8 to the breathy, drawn out speech of the last part of the poem, where the speaker creates a vivid picture of Love at the point of death. How do these grammatical and tonal differences work to gether to reinforce the changes you can hear as the speaker confronts his/her soon-to-be-ex partner? In the first part of the poem the speaker is giving orders to his/her partner, using imperative verbs (come let us kiss and part, Shake hands, cancel, be it not seen) and making statements s/he intends the partner to allow as true and literal, using indicative verbs (theres no help, I have done, you get, I am glad, I .can free). Then theres the alliteration of hard c and t sounds and the dominance of one-syllable words, creating a sense of directness. Its almost as if the speaker is trying to maintain stimulated control of the situation, as if s/he needed to suppress feelings of regret over the breakup. You can even see this in the use of you in l. 2, a formal style of address in early modern English. (In a similar situation, why would you formally address your soon-to-be-ex? ) There is also an effort at matter-of-factness here, evident in the avoidance of figurative language.All t his is accomplished in a cumulative sentence, where you get the main message at the beginning (we know were breaking up, so lets get on with it). In the last part of the poem the speaker is painting a vivid picture of Love at the point of death, surrounded by mourning figures (those personifications) attending at the bedside, and maybe, if s/he were willing, the speakers partner. Note that indicative verbs are used in ll. 10-12 (in the subordinate when clauses), then subjunctive verbs in the final couplet (if thou wouldst and mightst .. recover). The important thing to know about the subjunctive mood here is that it expresses an action that might take place, not one that does take place. Note also that in this final couplet the speaker addresses his/her partner by using the informal, intimate form thou instead of the formal you. In addition to the figurative language and significant grammatical differences between the beginning of the poem and this part, you now get longer words an d the breathiness I noted.Its as if the speaker is encouraging his/her partner to imagine, to see, to feel what the death of their love is going to be like, complete with mourners and last gasps. This invitation to participate is clearly intended to have an emotional impact on the partner. The speaker is also feeling some emotion, I think. You can see this in something I havent spoken of before. Its the shift from a regular di-da di-da rhythm in the first part of the poem to some pretty strong, off-beat rhythms in the last six lines. Look, for instance, at the beat in ll. 9-10 or l. 13.Something different is going on here, not the regular di-da di-da amble youve gotten used to. Why this shift? I think it may have to do with the emotion the speaker is starting to feel as s/he describes the deathbed scene. S/he is getting near the end of the poem, and if anything is going to slip by other than shaking hands and saying goodbye, it had better happen soon. Im sensing that emotions are getting much more noticeable. S/he even makes his/her partner the central figure, on whom loves life or death depends Now if thou wouldst, when all have given him over, From death to life thou mightst him yet recover.All this happens in a periodic sentence, where you get the main message at the end, here in the final couplet (its up to you dear, if you want to bring love back . . . ) Well, I could go on, but I wontnot for much longer, anyway. Ive been trying to show you that the closer you look at a piece of literature, the more things happen. Draytons poemany good poemis super dynamic. However, you cant capture this dynamic quality just by taking a photograph or making a list of the poems parts. Youve got to experience the dynamic quality of the poem in order to know its structure.

The Twilight Saga 4: Breaking Dawn 17. What Do I Look Like? …

17. What Do I Look Like? The Wizard Of Oz? You Need A wittiness? You Need A Heart? Go A percentage point.Take Mine. Take Everything I Have. HEART? GO AHEAD. TAKE MINE. TAKE EVERYTHING I HAVE.I fall apart of had a aim as I ran to the Cullens garage. The flash part of it was totaling the bloodsuckers car on my office arse.So I was at a loss when I mashed the much everyplaceton on the keyless remote, and it was non his Volvo that beeped and flashed its lights for me. It was some an new(prenominal)(prenominal)wise car a standout even in the long line of vehicles that were mostly all in all drool-worthy in their own ways.Did he real mean to give me the keys to an Aston Martin Vanquish, or was that an accident?I didnt pause to say to the highest degree it, or if this would change that second part of my plan. I just threw myself into the pat leather seat and cranked the engine while my knees were still crunched up under the focal point wheel. The sound of the motors purr might subscribe to made me moan some other day, plainly if correctly now it was all I could do to concentrate enough to put it in drive.I found the seat release and shoved myself tail as my foot rammed the pedal down. The car felt almost airborne as it leaped forward.It only took seconds to race through the tight, winding drive. The car responded to me identical my thoughts were steering rather than my hands. As I blew out of the green tunnel and onto the alley, I caught a fleeting glimpse of Leahs gray face peering uneasily through the ferns.For half(a) a second, I wondered what shed conceive, and then I realized that I didnt care.I turned south, because I had no patience today for ferries or traffic or anything else that meant I might have to lift my foot off the pedal.In a sick way, it was my lucky day. If by lucky you meant taking a well-traveled highway at two hundred without so much as seeing one cop, even in the thirty-mile-an-hour speed-trap towns. What a letdown. A little chase workmight have been nice, not to mention that the license plate info would bring the heat down on the leech. Sure, hed buy his way out of it, however it might have been just a little inconvenient for him.The only sign of surveillance i came crossways was just a hint of ghastly brown fur flitting through the woods, running parallel to me for a few miles on the south side of Forks. Quil, it looked the a akin(p)s of. He must have seen me, too, because he disappeared later a minute without raising an alarm. Again, I almost wondered what his story would be onwards I remembered that I didnt care.I raced around the long U-shaped highway, heading for the biggest city I could find. That was the first part of my plan.It searched to take forever, probably because I was still on the razor blades, but it actually didnt even take two hours before I was driving north into the undefined sprawl that was part Tacoma and part Seattle. I slowed down then, because I sincerely wasnt trying to kill any desolate bystanders.This was a stupid plan. It wasnt going to work. But, as Id searched my head for any way at all to get away from the anguish, what Leahd said today had popped in there.That would go away, you last, if you imprinted. You wouldnt have to hurt all everyplace her anyto a greater extent.Seemed like maybe getting your choices taken away from you wasnt the very worst thing in the world. Maybe feeling like this was the very worst thing in the world.But Id seen all the girls in La Push and up on the Makah rez and in Forks. I deficiencyed a wider hunting range.So how do you look for a random soul mate in a crowd? Well, first, I needed a crowd. So I tooled around, looking for a likely spot. I passed a couple of malls, which probably wouldve been pretty good postal services to find girls my age, but I couldnt make myself stop. Did I compulsion to imprint on some girl who hung out in a mall all day?I unplowed going north, and it got more and mo re crowded. reddentually, I found a big park full of kids and families and skateboards and bikes and kites and picnics and the whole bit. I hadnt noticed till now it was a nice day. sunshine and all that. People were out celebrating the blue sky.I parked crosswise two handicapped spots just begging for a ticket and join the crowd.I paseoed around for what felt like hours. Long enough that the sun changed sides in the sky. I stared into the face of every girl who passed anywhere near me, make myself really look, noticing who was pretty and who had blue eyes and who looked good in braces and who had way too much makeup on. I tried to find something fire about each face, so that I would know for sure that Id really tried. Things like This one had a really straight nose that one should quilt her hair out of her eyes this one could do lipstick ads if the rest of her face was as perfect as her mouth___Some eons they stared back. Sometimes they looked scared like they were think ing, Who is this big freak glaring at me? Sometimes I thought they looked kind of interested, but maybe that was just my ego running wild.Either way, nothing. Even when I met the eyes of the girl who was no contest the hottest girl in the park and probably in the city, and she stared right back with a speculation that looked like interest, I felt nothing. Just the equal desperate drive to find a way out of the pain.As time went on, I started noticing all the do by things. Bella things. This ones hair was the same color. That ones eyes were sort of shaped the same. This ones cheekbones cut across her face in just the same way. That one had the same little note amongst her eyes which made me wonder what she was worrying about___That was when I gave up. Because it was beyond stupid to think that I had picked exactly the right place and time and I was going to simply walk into my soul mate just because I was so desperate to.It wouldnt make sense to find her here, anyway. If Sam w as right, the best place to find my genetic match would be in La Push. And, clearly, no one there fit the bill. If Billy was right, then who knew? What made for a stronger wildcat?I wandered back to the car and then slumped against the hood and played with the keys.Maybe I was what Leah thought she was. Some kind of dead end that shouldnt be passed on to another generation. Or maybe it was just that my life was a big, cruel joke, and there was no escape from the punch line.Hey, you okay? Hello? You there, with the stolen car.It took me a second to realize that the voice was talking to me, and then another second to decide to raise my head.A familiar-looking girl was staring at me, her expression kind of anxious. I knew why I recognized her face Id already catalogued this one. Light red-gold hair, fair skin, a few gold-colored freckles sprinkled across her cheeks and nose, and eyes the color of cinnamon.If youre feeling that remorseful over boosting the car, she said, smiling so th at a dimple popped out in her chin, you could always turn yourself in.Its borrowed, not stolen, I snapped. My voice sounded horrible like Id been crying or something. Embarrassing.Sure, thatW hold up in court.I glowered. You need something?Not really. I was kidding about the car, you know. Its just that you look really vex about something. Oh, hey, Im Lizzie. She held out her hand.I looked at it until she let it refund.Anyway, she said awkwardly, I was just wondering if I could help. Seemed like you were looking for someone before. She gestured toward the park and shrugged.Yeah.She waited.I sighed. I dont need any help. Shes not here.Oh. Sorry.Me, too, I muttered.I looked at the girl again. Lizzie. She was pretty. Nice enough to try to help a grouchy stranger who must seem nuts. Why couldnt she be the one? Why did everything have to be so freaking complicated? Nice girl, pretty, and sort of funny. Why not?This is a beautiful car, she said. Its really a shame theyre not making the m anymore. I mean, the Vantages body styling is gorgeous, too, but theres just something about the Vanquish___Nice girl who knew cars. Wow. I stared at her face harder, neediness I knew how to make it work. Cmon, Jake imprint already.Hows it drive? she asked.Like you wouldnt believe, I told her.She grinned her one-dimple smile, clearly pleased to have dragged a halfway civil response out of me, and I gave her a reluctant smile back.But her smile did nothing about the sharp, cutting blades that raked up and down my body. No matter how much I postulateed it to, my life was not going to come together like that.I wasnt in that healthier place where Leah was headed. I wasnt going to be able to fall in love like a normal person. Not when I was bleeding over someone else. Maybe if it was ten years from now and Bellas feeling was long dead and Id hauled myself through the whole grieving process and come out in one piece again maybe then I could offer Lizzie a ride in a fast car and t alk makes and models and get to know something about her and see if I liked her as a person. But that wasnt going to happen now.Magic wasnt going to save me. I was just going to have to take the torture like a man. Suck it up.Lizzie waited, maybe hoping I was going to offer her that ride. Or maybe not.Id better get this car back to the guy I borrowed it from, I muttered.She smiled again. iris to hear youre going straight.Yeah, you convinced me.She watched me get in the car, still sort of concerned. I probably looked like someone who was about to drive off a cliff. Which maybe I wouldve, if that kind of moved work for a werewolf. She waved once, her eyes trailing after the car.At first, I drove more sanely on the way back. I wasnt in a rush. I didnt want to go where I was going. Back to that house, back to that forest. Back to the pain Id run from. Back to being absolutely alone with it.Okay, that was melodramatic. I wouldnt be all alone, but that was a bad thing. Leah and Seth woul d have to subscribe with me. I was glad Seth wouldnt have to suffer long. Kid didnt deserve to have his peace of mind ruined. Leah didnt, either, but at least it was something she understood. Nothing new about pain for Leah.I sighed big as I thought about what Leah wanted from me, because I knew now that she was going to get it. I was still pissed at her, but I couldnt cut the fact that i could make her life easier. And now that I knew her better I thought she would probably do this for me, if our positions were reversed.It would be interesting, at the very least, and strange, too, to have Leah as a companion as a booster dose. We were going to get under each others skin a lot, that was for sure. She wouldnt be one to let me wallow, but I thought that was a good thing. Id probably need someone to kick my butt now and then. But when it came right down to it, she was really the only friend who had any chance of understanding what I was going through now.I thought of the hunt thi s morning, and how close our minds had been for that one moment in time. It hadnt been a bad thing. Different. A little scary, a little awkward. But also nice in a weird way.I didnt have to be all alone.And I knew Leah was strong enough to face with me the months that were coming. Months and years. It made me tired to think about it. I felt like I was staring out across an ocean that I was going to have to swim from shore to shore before I could rest again.So much time coming, and then so little time before it started. Before I was flung into that ocean. Three and a half more days, and here I was, wasting that little bit of time I had.I started driving too fast again.I saw Sam and Jared, one on either side of the road like sentinels, as I raced up the road toward Forks. They were well hidden in the thick branches, but I was expecting them, and I knew what to look for. I nodded as I blew early(prenominal) tense them, not bothering to wonder what they made of my day trip.I nodded to Leah and Seth, too, as I cruised up the Cullens driveway. It was starting to get dark, and the clouds were thick on this side of the sound, but I saw their eyes glitter in the glow of the headlights. I would explain to them later. Thered be plenty of time for that.It was a surprise to find Edward waiting for me in the garage. I hadnt seen him away from Bella in days. I could tell from his face that nothing bad had happened to her. In fact, he looked more peaceful than before. My stomach tightened as I remembered where that peace came from.It was too bad that with all my brooding Id forgotten to wreck the car. Oh well. I probably wouldnt have been able to stand hurting this car, anyway. Maybe hed guessed as much, and thats why hed lent it to me in the first place.A few things, Jacob, he said as soon as I cut the engine.I took a deep breath and held it for a minute. Then, slowly, I got out of the car and threw the keys to him.Thanks for the loan, I said sourly. Apparently, it would have to be repaid. What do you want now?for the first time I know how averse you are to using your authority with your pack, butI blinked, astonished that he would even dream of starting in on this one. What?If you cant or wont control Leah, then I Leah? I interrupted, speaking through my teeth. What happened?Edwards face was hard. She came up to see why youd left so abruptly. I tried to explain. I suppose it might not have come out right.What did she do?She phased to her human form and Really? I interrupted again, shocked this time. I couldnt process that. Leah letting her guard down right in the mouth of the enemys lair?She wanted to speak to Bella.To Bella?Edward got all hissy then. I wont let Bella be upset like that again. I dont care how justified Leah thinks she is I didnt hurt her of course I wouldnt but Ill throw her out of the house if it happens again. Ill launch her right across the river Hold on. What did she say? None of this was making any sense.Edward took a de ep breath, composing himself. Leah was unnecessarily harsh. Im not going to pretend that I understand why Bella is unable to let go of you, but I do know that she does not behave this way to hurt you. She suffers a great deal over the pain shes inflicting on you, and on me, by asking you to stay. What Leah said was uncalled for. Bellas been crying Wait Leah was yelling at Bella about me?He nodded one sharp nod. You were quite an vehemently championed.Whoa. I didnt ask her to do that.I know.I rolled my eyes. Of course he knew. He knew everything.But that was really something about Leah. Who would have believed it? Leah walkway into the bloodsuckers place human to complain about how /was being treated.I cant promise to control Leah, I told him. I wont do that. But Ill talk to her, okay? And I dont think therell be a repeat. Leahs not one to hold back, so she probably got it all off her chest today.I would say so.Anyway, Ill talk to Bella about it, too. She doesnt need to feel bad. This ones on me.I already told her that.Of course you did. Is she okay?Shes sleeping now. Rose is with her.So the psycho was Rose now. Hed completely crossed over to the dark side.He ignored that thought, continuing with a more complete answer to my question. Shes better in some ways. Aside from Leahs tirade and the resulting guilt.Better. Because Edward was hearing the ogre and everything was all lovey-dovey now. Fantastic.Its a bit more than that, he murmured. instantaneously that I can make out the childs thoughts, its apparent that he or she has remarkably developed mental facilities. He can understand us, to an extent. My mouth fell open. Are you serious?Yes. He seems to have a vague sense of what hurts her now. Hes trying to stay off that, as much as possible. He loves her. Already.I stared at Edward, feeling sort of like my eyes might pop out of their sockets. Underneath that disbelief, I could see right away that this was the critical factor. This was what had changed E dward that the monster had convinced him of this love. He couldnt hate what loved Bella. It was probably why he couldnt hate me, either. There was a bigdifference, though. I wasnt killing her.Edward went on, acting like he hadnt comprehend all that. The progress, I believe, is more than wed judged. When Carlisle returns Theyre not back? I cut in sharply. I thought of Sam and Jared, watching the road. Would they get curious as to what was going on?Alice and Jasper are. Carlisle sent all the blood he was able to acquire, but it wasnt as much as he was hoping for Bella will use up this supply in another day the way her appetite has grown. Carlisle stayed to try another source. I dont think thats necessary now, but he wants to be covered for any eventuality.Why isnt it necessary? If she needs more?I could tell he was watching and listening to my reaction carefully as he explained. Tm trying to persuade Carlisle to deliver the baby as soon as he is back.What?The child seems to be att empting to avoid rough movements, but its difficult. Hes become too big. Its madness to wait, when hes clearly developed beyond what Carlisle had guessed. Bellas too fragile to delay.I kept getting my legs knocked out from under me. First, counting on Edwards hatred of the thing so much. Now, Id realized that I thought of those four days as a sure thing. Id banked on them.The endless ocean of grief that waited stretched out before me.I tried to catch my breath.Edward waited. I stared at his face while I recovered, recognizing another change there.You think shes going to make it, I whispered.Yes. That was the other thing I wanted to talk to you about.I couldnt say anything. After a minute, he went on.Yes, he said again. Waiting, as we have been, for the child to be ready, that was insanely dangerous. At any moment it could have been too late. But if were proactive about this, if we act quickly, I see no reason why it should not go well. Knowing the childs mind is unbelievably helpful . Thankfully, Bella and Rose sum up with me. Now that Ive convinced them its safe for the child if we proceed, theres nothing to keep this from working.When will Carlisle be back? I asked, still whispering. I hadnt got my breath back yet.By midday tomorrow.My knees buckled. I had to grab the car to hold myself up. Edward reached out like he was offering support, but then he thought better of it and dropped his hands.Im sorry, he whispered. I am truly sorry for the pain this causes you, Jacob. Though you hate me, I must admit that I dont feel the same about you. I think of you as a a brother in many ways. A comradein arms, at the very least. I regret your suffering more than you realize. But Bella is going to survive when he said that his voice was fierce, even violent and I know thats what really matters to you.He was probably right. It was hard to tell. My head was spinning.So I hate to do this now, while youre already dealing with too much, but, clearly, there is little time. I have to ask you for something to beg, if I must.I dont have anything left, I choked out.He lifted his hand again, as if to put it on my shoulder, but then let it drop like before and sighed.I know how much you have given, he said quietly. But this is something you do have, and only you. Im asking this of the true Alpha, Jacob. Im asking this of Ephraims heir.I was way past being able to respond.I want your permission to deviate from what we agreed to in our treaty with Ephraim. I want you to grant us an exception. I want your permission to save her life. You know 111 do it anyway, but I dont want to break faith with you if there is any way to avoid it. We never think to go back on our word, and we dont do it lightly now. I want your understanding, Jacob, because you know exactly why we do this. I want the alliance between our families to survive when this is over.I tried to swallow. Sam, I thought. Its Sam you want.No. Sams authority is assumed. It belongs to you. Youll never t ake it from him, but no one can rightfully agree to what Im asking except for youIts not my decision.It is, Jacob, and you know it. Your word on this will condemn us or absolve us. Only you can give this to me.cant think. I dont know.We dont have much time. He glanced back toward the house.No, there was no time. My few days had become a few hours.dont know. Let me think. Just give me a minute here, okay?Yes.I started walking to the house, and he followed. Crazy how easy it was, walking through the dark with a vampire right beside me. It didnt feel unsafe, or even uncomfortable, really. It felt like walking next to anybody. Well, anybody who smelled bad.There was a movement in the brush at the edge of the big lawn, and then a low whimper. Seth shrugged through the ferns and loped over to us.Hey, kid, I muttered.He dipped his head, and I patted his shoulder.Sall cool, I lied. Ill tell you about it later. Sorry to take off on you like that.He grinned at me.Hey, tell your sister to back off now, okay? Enough.Seth nodded once.I shoved against his shoulder this time. Get back to work. Ill spell you in a bit.Seth leaned against me, shoving back, and then he galloped into the trees.He has one of the purest, sincerest, kindest minds Ive ever heard, Edward murmured when he was outof sight. Youre lucky to have his thoughts to share.I know that, grunted.We started toward the house, and both of our heads snapped up when we heard the sound of someone sucking through a straw. Edward was in a hurry then.He darted up the porch stairs and was gone.Bella, love, Ithought you were sleeping, I heard him say. Im sorry, I wouldnt have left.Dont worry. Ijust got so thirsty it woke me up.Its a good thing Carlisle is bringing more. This kid is going to need it when he gets out of me.True. Thats a good point.I wonder if hell want anything else, she mused.I suppose well find out.I walked through the door.Alice said, Finally, and Bellas eyes flashed to me. That infuriating, irresistible s mile broke across her face for one second. Then it faltered, and her face fell. Her lips puckered, like she was trying not to cry.I wanted to punch Leah right in her stupid mouth.Hey, Bells, Isaid quickly. How ya doing?Im fine, she said.Big day today, huh? Lots of new stuff.You dont have to do that, Jacob.Dont know what youre talking about, I said, going to sit on the arm of the sofa by her head. Edward had the floor there already.She gave me a reproachful look. Im so s she started to say.I pinched her lips together between my thumb and finger.Jake, she mumbled, trying to pull my hand away. Her attempt was so weak it was hard to believe that she was really trying.I shake my head. You can talk when youre not being stupid.Fine,I wont say it, it sounded like she mumbled.I pulled my hand away.Sorry she finished quickly, and then grinned.I rolledmy eyes and then smiled back at her.When I stared into her eyes, I saw everything that Id been looking for in the park.Tomorrow, shed be someo ne else. But hopefully alive, and that was what counted, right? Shed look at me with the same eyes, sort of. Smile with the same lips, almost. Shed still know me better than anyone who didnt havefull access to the inside of my head.Leah might be an interesting companion, maybe even a true friend someone who would stand up for me. Butshe wasnt my best friend the way thatBella was. Aside from the impossible love I felt for Bella, there was also that other bond, and it ran bone deep.Tomorrow, shed be my enemy. Or shed be myally. And, apparently, that distinction was up to me.I sighed.FineI thought, giving up the very last thing i had to give. It made me feel hollow. Go ahead. Save her. As Ephraims heir, you have my permission, my word, that this will not violate the treaty. The others will just have to blame me. You were right they cant abnegate that its my right to agree to this.Thank you. Edwards whisper was low enough that Bella didnt hear anything. But the words were so fervent t hat, from the corner of my eye, I saw the other vampires turning to stare.So,Bella asked, working to be casual. How was your day?Great. Went for a drive. Hung out in the park.Sounds nice.Sure, sure.Suddenly, she made a face. Rose? she asked.I heard Blondie chuckle. Again?I think Ive drunk two gallons in the last hour, Bella explained.Edward and I both got out of the way while Rosalie came to lift Bella from the couch and take her to the bathroom.Can I walk? Bella asked. My legs are so stiff.Are you sure? Edward asked.Rosellcatch me if I trip over my feet. Which could happen pretty easily, since I cant see them.Rosalie set Bellacarefully on her feet, keeping her hands right atBellas shoulders. Bella stretched her arms out in front of her, wincing a little.That feels good, she sighed. Ugh, but Im huge.She really was. Her stomach was its own continent.One more day, she said, and patted her stomach.I couldnt help the pain that shot through me in a sudden, stabbing burst, but I tried to keep it off my face. I could hide it for one more day, right?All righty, then. Whoops oh, noThe cup Bella had left on the sofa tumbled to one side, the dark red blood spilling out onto the pale fabric.Automatically, though three other hands beat her there, Bella bent over, reaching out to catch it.There was the strangest, muffled ripping sound from the center of her body.Oh she gasped.And then she went totally limp, slumping toward the floor. Rosalie caught her in the same instant, before she could fall. Edward was there, too, hands out, the mess on the sofa forgotten.Bella? he asked, and then his eyes unfocused, and panic shot across his features.A half second later,Bella screamed.Itwas not justa scream, it was a blood-curdling shriek of agony. The horrifying sound cut off with a gurgle, and her eyes rolled back into her head. Her body twitched, arched in Rosalies arms, and then Bella vomited a fountain of blood.