Advanced Theory of Poetry Essay Example For Students

Advanced Theory of Poetry Essay In order to uncover the message behind this poem, one must take a loser look at the arguments, focus expressions and tenor/vehicle constructions of at least six local metaphorical constructions of the text and how they Interact with one another to form part of the global metaphor of the poem. The first local metaphorical construction of the text can be found in line one: Bird- bones is on the roof. Seventy eight. One can clearly see that there is a metaphorical relationship at hand, as it is unusual to see or know of any bird-bones on a roof. Therefore, the argument/vehicle is bird-bones, as it is qualified by the focus expression is on the roof. By reading past the first few lines it is obvious that the Thatcher (from the title) is referred to as bird-bones, as there is no immediate indication of who the tenor is. Thus, the poet implies that the seventy-eight year old Thatcher is like Bird-bones. This comparison leads one to think that the old man has a skinny and feeble figure and as much as birds spend their time on rooftops, so does the old man thatching roofs. The second local metaphorical construction for analysis can be found in line two: And still a ladder squirrel. The old man (Thatcher) is now being compared to a squirrel. The Thatcher is still considered to be the tenor to the vehicle/argument squirrel, and the nominal focus being the ladder. This implies that the old man makes use of a ladder to reach the rooftops he works on, and that he goes up and down the ladder the same way a squirrel would run up and down a tree. Although the Thatcher is described as being bony and fragile like a bird, he is very energetic and active (like a squirrel running up and down a tree) for an old man, as he is still working at the age of seventy eight and climbs up and down a ladder. The third local metaphorical construction can be found In line four: Then crabbing UT across the traverse. After three metaphorical constructions, It Is apparent that the poet makes use of animal imagery to sketch his portrayal of the old Thatcher. Still considered to be the tenor. The verbal focus of the line is the word crabbing albeit there is no meaning for this word, it is obvious that the poet is connoting that the old man (tenor) is like a crab (vehicle). The adverbial focus of the line is across the traverse, and suggests that the old man moves sideways across the roof as he is thatching and crabs are known for walking sideways. One does not have to look further than line five to appreciate the importance of metaphors. The fourth local metaphorical construction to be analyses is, Sock-crows of insulting banter, liberated/ Into his old age. Still utilizing animal imagery, the poet compares the old Thatcher (tenor) to a sock/rooster (vehicle/argument) that crows the nominal focus of the line being insulting banter. This construction implies that as the old Thatcher ages he feels free from the restrictions of traditional social norms and feels that there is no need to hold back on his banter, the same way a rooster loud not hold back as it persistently crows at the break of dawn or when predators are nearby (this carelessness also explains the use of the word insulting from the focus expression) The fifth local metaphorical construction can be found in line ten, Lizard-silk of his lizard-skinny hands. So far the poet has compared the old Thatcher to numerous kinds of animals including a bird, a squirrel, a crab and a rooster; in line ten the poet compares him to a lizard, continuing his sketch with animal imagery. The argument Lizard-silk is qualified by the focus expression his lizard-skinny hands. This construction leads one to understand that the Thatchers hands (tenor) are skinny (adjectival focus) like a lizard (vehicle/ argument), suggesting that the old mans hands are dry, bony and battered from thatching roofs over the years. Dead poets society ch EssayThere are more than enough poems by the author to back up this theory. The poem, God, Death, Love is a perfect portrayal of the authors bluntness toward these topics and Just shows how aged and tired her spirit may be. With no shame the author states that: God, Death, Loneliness, Love, Man/ are Important Themes of Literature/ menstruation, childbirth, menopause, puberty/ marriage are not. This is a definitely raises important questions about the equality of sexes and what is considered socially taboo or appropriate. The author then states that: Meanwhile terror lies exactly in how/ one lives with the disintegrating body/ in how one accepts hat the body no longer/ wants to intensify with exhilarating detonations. This clearly shows that the author mentally gives up on her aging body Some may agree with her view on aging and loss of excitement, while others who go through the same process of maturing have a positive attitude and dont give too much emphasis on the disadvantages. Although the authors view of life -and her poetry backs this theory -seems negative, she spreads realism in such a way that her fight for equality is effective. Today, people are free to speak of that which concerns them and their daily lives Grogs otter is certainly a massive contribution. This raises yet again another question regarding the efficiency of the photograph of a naked elderly woman on the cover of her book, taken by Gallant. According to Adele Nell, Goblets models erect posture constitutes dignity, control and even authority. This view is not completely accurate as the elderly woman has wrinkled skin lines under her breasts, suggesting that she does not have an erect posture, but one that is used to being bent forward to express the theory of her being mentally and physically tired. Furthermore, Adele states that the cover photograph involuntarily raises the question: What activates the resistance against the cover? It can be said that purely on an aesthetic point of view that the older female body is devalued in society and thus deprived of sexual desirability. Another possible reason may rise from the fact that public display of nudity is considered taboo. However, the image and vocabulary of her poems paint a clear picture of how the author feels about her aging body. The essence and honesty of the photograph allows one to fully grasp the concept of anguish over aging despite the adverse connotations that the photograph may have.